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21st Century Blacksmiths

Juliet Fishenden

All of us in the U.K. have lived with wrought iron for most of our lives. It’s found everywhere. Ancient ironwork smashed into pleasing shapes, structures and intricate patterns is still with us, the march of time barely giving it a second glance. Wrought iron hangs up our bread boards, stores our wine, clads our ships and provides France with her most enduring icon.

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The industrial revolution may have turned our heads towards the new mechanical means of production but handmade, handcrafted ironwork still holds an incomparable allure. In fact, in the 21st century, wrought ironwork and its blacksmiths have returned with some vigour as the desire for material permanence has trumped the built in obsolescence of the poorly made product.

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The last commercial wrought ironworks factory closed in 1974 but despite this, the skill of ‘working’ iron (‘wrought’ is an archaic form of ‘worked’) is still with us and the products highly prized and appreciated for their quality. From the beauty of the Farrier’s Cage Six Circle Globe Chandelier to the humble handle, iron still just works.

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Juliet Fishenden
Juliet Fishenden

Here, you’ll find a news feed straight from the forge written by myself, Juliet, Richard’s wife and business partner. Richard and I love beautiful, hand crafted objects so design is a hugely important aspect of our company. We’re thrilled to be working with a variety of British designers such as Anthony Dickens and Chris Eckersley. It’s here you’ll find updated product information as well as personal observations about Richard’s craft.

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