designer Archive

In the second part of our blog on Interior designer Jane McIntyre, Jane tells us how she works with Made by the Forge’s curtain poles.

“Often a whole room is schemed around a curtain fabric so what you hang then on them is very important. There was a time when large, grand windows demanded huge wooden poles or ornate pelmets, but I have hung three metre high curtains on Made by the Forge’s poles in a Manor house and the effect was stunning. Equally, I am about to order some for a teeny cottage with even teenier windows and I will be putting the self same poles up there and know they will be perfect. I’ve also used the French poles once and am contemplating those for another project that requires an absolutely simple treatment.

“One of my most challenging jobs for the poles was in a 16th Century timber framed house in Winchester where the downstairs windows went to within an inch of the very crooked ceilings, leaving no room at all for poles. Persuading the client – who favoured fat wooden poles or pelmets – that the forged poles would work perfectly was a work in itself, then the builder fired off his own directive about the insubstantial lath and plaster walls being unable to hold the weight of curtains, let alone solid metal poles. As the curtains were heavy textured velvet with thick interlining – those houses are draughty however much heating goes in – this was a challenge!

“Not to be beaten, we put a baton all the way along the top of the window and 30cms either side, taking the line from the lowest point of the ceiling – this we fixed with many screws and a lot of Gripfill*. We put the top of the bracket as high as we could on this baton and packed out the base of the bracket to level it. The idea of this exercise was to spread the load across the wall rather than just in the places were the brackets would – or wouldn’t – fix to the wall. Applying my trademark “boofy” headings, or in rather more technical terms a 10cm heading above the tape, which flops away from the pole in a random fashion and in this case crushed in parts against the ceiling, all in all disguising the crooked space. Given enough width in a curtain can create a very dramatic and opulent feel. Four years later the curtains still stand and with the success of that window we went on to do the whole house with Richard’s poles.”

Call Jane: 02380 812239
Email: jane@janemcintyredesign.com Website: https://janemcintyredesign.com

*Other adhesives are available.

Sheer curtains are making a comeback. They’ve found their new groove within Scandi or industrial interior designs mostly but whatever your style, sheers are available in a range of textures, fabrics and mounting styles, making them endlessly versatile and adaptable to suit almost any home and style.

Lightweight and transparent, sheers are made from a variety of fabrics, including polyester, cotton georgette and organza. They’re also available in different header styles, including grommet, back-tab and rod pocket, they’re easily adaptable to suit your home.

Hanging a sheer curtain between your solid/opaque drapes and your window is a great way to let some sunlight into your space without sacrificing any privacy. Function aside, the combination of sheers with heavier drapes looks great and has some real potential for creativity in your interior design.

The best way to hang sheer curtains with heavier drapes is to hang two separate curtain rods. Use one of our made to measure curtain poles as the primary, room facing curtain rod as it will be the most visible and will be supporting the weight of the drapes. The curtain rod supporting the sheer curtains will be closest to the wall and will be covered by the drapes and curtain pole in the front.

When you are installing both poles, make sure to keep in mind the amount of space you leave as you don’t want the two different sets of curtains to interfere with each other.

The most common  way to arrange a sheer curtain with a solid curtain is to let the sheer curtain hang loosely in soft folds while the solid curtain is swept to either side. The sheer curtains are typically left to fall straight while the solid curtains are held back on either side using curtain holdbacks or a tie.

Sheer curtains were made to be paired with the elegant French style curtain pole. Curving ninety degrees into the wall, the sheer curtains will add some much-needed protection if your windows are susceptible to cool draughts.

Timeless and classy, draping sheers over French doors with a French curtain pole also adds a light and airy feel to any room, brightening it up with some chic on a sunny day. Pair with some heavy velvet drapes for intimate evenings while still keeping your look contemporary.

Bay windows are also a great place to hang sheer curtains, as bay windows tend to be larger than most other windows and control a lot of the light that comes into a room. Ideal for a window seat in the front of your home, sheer curtains can add a Nordic feel to your room. Perfect for a sunny day when you want to enjoy a cup of coffee with the warmth from the sun, they’ll filter the light to reduce glare.

For evening privacy, try a mid-length cotton drape in warming olive tones, they’ll complement a warm white drape and amp up the cosy factor whilst staying on-trend.

The French have always had the reputation for style and knowing it when they see it. The well known French Rod or French Pole is a design classic, one that we respect but also make in our own distinctive and unique fashion.

Interior designers, discerning individuals and first-rate curtain makers, like Magenta Interiors, all choose our French Style Curtain Poles. They look traditional, classy, superbly crafted and they do their job.

“Made by the Forge is my first stop for the best French poles on the market.” Magenta Interiors – Bespoke Soft Furnishings

There are no finials to choose as each end curves ninety degrees back to the wall where the pole slides into a bracket. The advantage of such a pole is that it is much more efficient at keeping out drafts.

You can install a French style curtain pole for a curtain over a window or a door to keep a howling wind at bay. Depending on the age of your home, (or of your cosy gite in the south of France if you are so lucky) there’s always a draft looking for a way in. The curtain on a French Style pole will then create a more complete shelter from the wind.

Why not consider adding some ‘va va voom!’ to your room?

At Made by the Forge, we make the finest ironwork known to humanity! As proof, we can now offer you a small pocket sized booklet to peruse and use for inspiration for your home or interior project. It features all our fabulous ironwork plus our new 25mm metal poles, new finials and a contemporary burnished wax finish. We have a downloadable version or we can send you a printed copy, whatever is the most convenient for you.

Shopping with us is easy and if you have any questions, we are always at the end of the phone or email.

As a manufacturer of designer, lighting, Made by the Forge acknowledges trends in the interiors industry. The word ‘trendy’ is sometimes used derogatively as much as it is simply describing something of current popularity. Trendy is by definition impermanent, fleeting and in some fashion, the very opposite of the hot forged, designer lighting which we guarantee will last a lifetime. But given that, it is very satisfying to find out that the Farrier’s Cage Five Bar Long, designed by Anthony Dickens is, ‘trending’!

In this month’s issue of Homes and Gardens, there’s a long feature on Kitchen Trends for 2018. Kitchens have always been the home’s beating heart, warm and inviting, a place to socialise, a place to create. Well, nothing says contemporary like the Farrier’s Cage Five Bar Long and there it is, front and centre on pages 148 and 149 of the quality interiors magazine. To see the full article click the link here.

The overarching trend, the general theme of the article states that “This season’s sharpest kitchens are going incognito – the latest schemes seamlessly blend functionality with the look of a contemporary living space.” This says to me that the kitchen has become just as important as any other room in the house on which to stamp a personalised statement. With its right foot in the traditional blacksmith past and its left on the cutting edge, The Farrier’s Cage Five Bar Long is perfect for such a space. Long may it trend!

It’s always a great validation of our work at Made by the Forge (and to be honest, a great thrill) when one of our pieces gets media coverage. We’ve had our share of magazine exposure, and we’re very grateful for that publicity. But a few Wednesdays ago on Channel 4, we were lucky enough to have one of our leading lights featured in the clever and entertaining series Ugly House to Lovely House with George Clarke.

Frame grabs from Ugly House to Lovely House with George Clarke © Channel Four Television

 

Our Farrier’s Cage Five Bar Long luminaire, designed by Anthony Dickens, hung decorously from the ceiling of a converted St. John ambulance station of all things. The filmmakers really showed off the piece shooting it from lots of different angles and in its first prominent shot, the Five Bar Long fills the frame albeit showing only four of the five lights.

Frame grabs from Ugly House to Lovely House with George Clarke © Channel Four Television

 

It’s a very good feeling to have Made by the Forge associated with lifestyle programmes that point people at products that make for better interiors. The relevant episode, series two, episode two, is still viewable on the Channel 4 website until 24th November here:

http://www.channel4.com/programmes/ugly-house-to-lovely-house-with-george-clarke/on-demand/65271-002

If you’re not logged in to view Four On Demand, then that simple process takes a few seconds. Hope you enjoy it.

All of us in the U.K. have lived with wrought iron for most of our lives. It’s found everywhere. Ancient ironwork smashed into pleasing shapes, structures and intricate patterns is still with us, the march of time barely giving it a second glance. Wrought iron hangs up our bread boards, stores our wine, clads our ships and provides France with her most enduring icon.

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The industrial revolution may have turned our heads towards the new mechanical means of production but handmade, handcrafted ironwork still holds an incomparable allure. In fact, in the 21st century, wrought ironwork and its blacksmiths have returned with some vigour as the desire for material permanence has trumped the built in obsolescence of the poorly made product.

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The last commercial wrought ironworks factory closed in 1974 but despite this, the skill of ‘working’ iron (‘wrought’ is an archaic form of ‘worked’) is still with us and the products highly prized and appreciated for their quality. From the beauty of the Farrier’s Cage Six Circle Globe Chandelier to the humble handle, iron still just works.

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The Beehive is a hand-forged lamp using both traditional blacksmithing and modern metal forming techniques. The metal is hot forged and the edges hammered giving it a unique wavy line finish.  The design is a result of Anthony Dickens’ continued exploration in creating contemporary forged metal products with Richard at Made by the Forge.

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Previewed at the Heal’s Festival of Light in October, the Beehive Pendant is based on the classic layered beehive shape, finished with beeswax straight from the hive and given some individual character by Richard’s craftsmanship.

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The Beehive range will launch in February both in Heal’s and on our own website. The design is available in seven distinct variations. Showcasing two of them here, there’s the Beehive-Three-Cluster, a group of touching bulbs (illustrated below); and the Beehive Five Line Chandelier (above) which subverts the classic circular luminaire with a line of lights.

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All will be revealed in February and if minimalism is your goal then there’s a single Beehive pendant suspended from a ceiling rose or free standing, bulb-up on a table along with the larger pieces.

We often turn to talent and craftsmanship in other disciplines to set off and compliment Made by the Forge’s products. For our new wrought iron standard lamps, designed by Chris Eckesley, we needed appropriate lampshades. When we saw the lovely work of Annette Rolston, we were compelled to collaborate with her and Mike Fenton to use their playful, artistic and distinctly British lampshades.

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Annette and Mike specialise in painting and printmaking and take their inspiration from where else but the East Anglian countryside. Mike’s expertise is in his depiction of animals in the tiniest detail and both are experts in the craft of linocutting, the intricate art of creating an image by cutting into lino and taking prints off it.

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Annette is drawn more to the abstract and creates patterned work though still based on nature’s varied landscapes especially trees and leaves. Sometimes her inspirations come from the cellular level where the abstract thrives in endless detail. The lamps and lampshades are available now (please email us for full pictures) and the relevant website pages will be up in the next week.

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We are forging ahead with new ideas for more wrought iron products which we will offer you in 2016. In the spring we will be meeting up with our collaboration partners Anthony Dickens, Gareth Neal, Chris Eckersley and William Warren to bring you the best of British design made by British blacksmiths.

Richard is looking forward to the festive holiday and seeing the new Star Wars movie!

Let the Forge be with you

If you have a project you would like us to quote for? We are always happy to help. If you have an idea, email a sketch and we can take a look and let you know if we can make it. Alternatively just call us on 01473 487118 to talk it through.